Kria ghai biography definition

D3, Dil Dosti Dance is a dance based daily soap aired on Channel[V], every Monday to Thursday at 7 pm. They say, "Some people learn to dance, while others are born to dance." Kria ghai was born to dance, she loved dance and her little body swayed to music even before she knew how to walk. But her dancing shoes were taken away from her by a strict mother who had another dream for her; her mother wanted her to succeed in the corporate arena. Kria doesn't want to defy her mother, but fate constantly brings her face to face with her true destiny; dance! Once she arrives in Bombay she meets reyansh and Sharon and their troupe of dancers. She is paired with the weaklings of the college, when everything about her screams dazzler! Due to her talent she is immediately seen as a threat by the college diva Sharon. Sharon sets out to make kria's life miserable but kira only uses each stumbling block as a stepping stone to inch closer to her lifelong dream ... a moment of shining glory, owing to her first and only passion dance! On the way she finds love, so her 'dil' beats with the tremors of first love. She makes new friends, so her thirst for 'dosti' is fulfilled. She does this as she embarks upon a journey of self-discovery, through 'dance'! We all have dreams and aspirations. But not all dreams become reality and not all aspirations change destiny. And the road is filled with hurdles. Meet Kria ; her dreams and aspirations begin and end with DANCE. Follow her journey as she stumbles, topples and tries to over

Major Hindu scripture

Several terms redirect here. For other uses, see Bhagavad Gita (disambiguation) and Gita (disambiguation).

The Bhagavad Gita (;Sanskrit: भगवद्गीता, IPA:[ˌbʱɐɡɐʋɐdˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, which forms part of the epic poemMahabharata. It is a synthesis of various strands of Indian religious thought, including the Vedic concept of dharma (duty, rightful action); samkhya-based yoga and jnana (knowledge); and bhakti (devotion). It holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava Hindu tradition.

While traditionally attributed to the sage Veda Vyasa, the Gita is probably a composite work composed by multiple authors. Incorporating teachings from the Upanishads and the samkhyayoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, at the onset of the Kurukshetra War.

Though the Gita praises the benefits of yoga in releasing man's inner essence from the bounds of desire and the wheel of rebirth, the text propagates the Brahmanic idea of living according to one's duty or dharma, in contrast to the ascetic ideal of seeking liberation by avoiding all karma. Facing the perils of war, Arjuna hesitates to perform his duty (dharma) as a warrior. Krishna persuades him to commence in battle, arguing that while following one's dharma, one should not consider oneself to be the agent of action, but attribute all of one's actions to God (bhakti).

The Gita posits the existence of an individual self (jivatman) and the higher Godself (Krishna, Atman/Brahman) in every being; the Krishna-Arjuna d

Funeral rites for the dead in Hinduism

For Final rites in Sikhism, see Antam Sanskar.

Antyesti (IAST: Antyeṣṭi, Sanskrit: अन्त्येष्टि), also known as Antima Samskara, Antya-kriya, Anvarohanyya, or as Vahni Samskara, literally means "last sacrifice" or "final auspicious ceremony", and refers to the funeral rites for the dead in Hinduism, which usually involves cremation of the body. This rite of passage is the last samskara in a series of traditional life cycle samskaras that start from conception in Hindu tradition.

The details of the Antyesti ceremony depend on the region, social group, gender and age of the dead.

Etymology

Antyeṣṭi (अन्त्येष्टि) is a composite Sanskrit word of antya and iṣṭi, which respectively mean "last" and "sacrifice" or "auspicious ceremony". Together, the word means the "last sacrifice". Similarly, the phrase Antima Samskara literally means "last sacred ceremony, or last rite of passage".

Scriptures

The Antyesti rite of passage is structured around the premise in ancient literature of Hinduism that the microcosm of all living beings is a reflection of a macrocosm of the universe. The soul (Atman, Brahman) is the essence and immortal that is released at the Antyeshti ritual, but both the body and the universe are vehicles and transitory in various schools of Hinduism. The human body and the universe consist of five elements in Hindu texts – air, water, fire, earth and space. The last rite of passage returns the body to the five elements and its origins. The roots of this belief are found in the Vedas, for example in the hymns of Rigveda in section 10.16, as follows,

Don't burn him through, Agni; don't scorch him; don't singe his skin, nor his body.|
When you will make him cooked to readiness, Jātavedas, then impel him forth to th