Negar javaherian biography of donald

  • Negar Javaherian (نگار جواهریان‎) born in

    • Blog

    Nov 29, 2013

    Today evening at 6:00 PM, do not miss out on Ajyal’s only public screening of ‘The Painting Pool’, a heartrending, remarkable portrait of two mentally challenged parents struggling to raise their child, and fighting for their right to lead a normal life and be a family.

    We had the pleasure to meet with Iranian director Maziar Miri.

    DFI: ‘The Painting Pool’ tackles quite an unusual topic. What brought you to this story?
    Maziar Miri: I’d been playing around with the idea of making a love story, but I chose to go with the most difficult way to express love in a movie. Hence the topic of this film, which is not just about two mentally challenged people but, more broadly, about the lack of communication. I’ve always been fascinated by family issues, as I feel we don’t talk much to each other nowadays in the world. Instead, we are always ready to judge one other. I feel we live in a cruel, unforgiving world.

    DFI: One of the greatest accomplishments of your film is that it is accurate and sensitive, and always rings true – and it never condescends to its central characters. Was it difficult to find the right tone? How did you work with the actors to achieve it?
    Miri: I had worked with Negar Javaherian before, and I was familiar with Shahab Hosseini, so I knew what they were capable of. Actually, I wrote the script with them in mind. As for the child actor, we went through a very tough selection in Tehran schools. From an initial number of 1,000 kids, we narrowed them to 5. In order to pick the right one, Negan and Shahab rehearsed for two weeks with those five. As soon as the casting was done, I brought Negan and Shahab to a mental hospital in Tehran to study the behaviour of special-needs people. The first thing we noticed was how all the patients were full of respect and kindness and love, without restriction. If everybody had their attitude towards life, the world would be a better place.

    DFI: Speaking about the innocence of chil

    Negar Javaherian ( نگار جواهریان‎ ) born in 1983, is an Iranian film and theatre actress, and translator. Negar Javaherian began her acting career on stage at the age of 15 and made her cinematic debut in 2002 with the movie ‘I’m Taraneh, 15’, directed by Rasoul Sadr Ameli. The notable movies with her participation include The Book of Law by Maziar Miri and The Girls' Dormitory by Mohammad Hussein Latifi. Javaherian also appeared as Fakhri in Zire Tigh, a serial directed by Mohammad Reza Honarma ...nd. Her filmography also features recent films such as Here without Me, A Cube of Sugar, 'Gold and Copper', 'The Painting Pool' and 'Melbourne'. Some of the movies in which Negar Javaherian has performed are ‘Qadamgah’ (2004), ‘Girl’s Dormitory’ (2005), ‘Barefoot in Heaven’ (2006), ‘The Magical Generation’ (2007), ‘The Music Box’ (2008), ‘The Book of Law’ (2009), ‘Nothing’ (2010), ‘A Cube of Sugar’ (2011), ‘Without Reason or Cause’ (2012), ‘Stories’ (2012), ‘Melbourne’ (2014), ‘A Minor Leap Down’ (2015), ‘Dowry’s Sugarbowl’ (2015) and ‘Confessions of My Dangerous Mind’ (2015). Among the series in which she has appeared are ‘That’s Not the Way’ (2004) and ‘Under the Blade’ (2007). For her performance in ‘Gold and Copper’ (2009), Negar Javaherian won the Best Leading Actress Crystal Simorgh from the Fajr International Film Festival.Negar Javaherian has been a Actor in some movies: Day and Night is about that This intricately woven narrative of four intersecting stories focuses on the lives of several women, each striving for happiness. Fouzhan is due to marry her cousin, but when the handsome young Babak enters her life, she finds herself facing a dilemma. The sickly Marjan, meanwhile, is struggling to cope with her ailing mother as well as the breakdown of her marriage. We also follow rheumatic watercolor painter Siavash and his wife Bahar’s relationship, who soon find their joyful existence is under threat. A melancholic royal daughter, meanwhile, seeks solace in revisi

    A Warden and Actors: An Interview with Filmmaker Nima Javidi

    By Ali Moosavi.

    I prefer films and novels in which a character who plays a critical part in the story is mainly absent.”

    With just two feature films and a TV series under his belt, writer-director Nima Javidi has established himself in the upper echelons of Iranian cinema. He got off to a flying start with his debut feature, Melbourne (2014), which was set on the last day of a couple (Payman Maadi and Negar Javaherian) in Tehran who were about to emigrate to Melbourne, Australia. During their last few hours before their flight, as a favour for a friend, they look after a small baby. This however, has an unforeseen and life changing consequences. Melbourne won a host of awards from international film festivals, including Best Film from Cairo International Film Festival and Mar Del Plata Film Festival and Best Screenplay from Asia Pacific Screen Awards. Javidi followed that with The Warden / Sorkhpoost, one of my Iranian films of the year in 2019 (Film International). This film was also set in one day, in the course of which a prison warden (Navid Mohammadzadeh) has to successfully transfer the prisoners to another location to allow for an airport expansion and, as a reward, receive a promotion. One missing prisoner puts a spanner in the works, further complicated by the warden’s romantic interest in a beautiful social worker (Parinaz Izadyar) determined to save the missing prisoner from impending execution. Javidi followed The Warden with Actor (see top image), a 20-episode series about two actors (Navid Mohammadzadeh and Ahmad Mehranfar) for hire who accept often dangerous assignments for which they need to take on different roles. Actor became the most successful Iranian TV series globally, when it was sold to Arte in France.

    I caught up with Javidi as he was in pre-production of his new venture, a miniseries set in pre-revolution Iran.

    Were you active in cinema whilst

    Betrayal in England and Iran: An Interview with Duet’s writer-director, Navid Danesh

    Duetis a remarkable feature film debut by the young Iranian writer-director Navid Danesh. In it we have four main characters: Massoud, a successful architect, Sepideh, his wife, Hamed, Sepideh’s former close friend and musician in a duet, and Minoo, Hamed’d wife, who runs a musical academy. Danesh has given us only selected background of the characters’ past so that viewers can complete their own individual pictures. We know that Hamed and Sepideh used to be very close, perhaps lovers. Then Hamed left for France, it seems without informing Sepideh, perhaps to further his career as a musician. Now he has returned to Iran. In the intervening years both him and Sepideh have married.  We don’t know the reasons for the marriages but do know that they have both married people who provided them a comfortable lifestyle. When Hamed hears from a mutual friend of him and Sepideh that she is visiting a bookshop to pickup some musical CDs that she ordered, Hamed decides to see her, with a view to offer her an explanation and bring about a reconciliation. This meeting puts in motion a chain of events which causes all four main characters to question the past and try to reconcile it with the present.

    The film is composed of a series of duets, not of music but conversations. Between Minoo and Hamed, Sepideh and Hamed, Massoud and Sepideh, Massoud and Minoo. These conversations are probing and inquisitive in nature, designed to find out about the past events and how they relate to the present.

    The structure of the piece and the format of the dialogue, which its menacing nature and pauses, reminded me of Harold Pinter, and particularly his play, Betrayal. Both pieces contain a scene in which the husband is “interrogating” his wife to determine her relationship with another man. The main difference is that in Betrayal, the husband is aware of the affair between his wife and his best

  • 10 months ago more.
  • Negar Javaherian. Actress: Gold and Copper.