Ateweberhan segid biography of martin

African Music 

Written by D. Mark Agostinelli - the Drum Teacher Guy                    

  African Music by D. Mark Agostinelli

AFRICAN MUSIC

Africa is a big continent.  The continent holds a total of 54 countries.  However, there is a part of Africa that is called sub-Saharan Africa.  This part of Africa is an extremely colorful part of Africa and the music that comes from this part of the continent offers the “african music sound”  In the northern parts of Africa there is more of a “middle eastern” sound or “a nomadic Arabic sound”  This sound, is usually considered middle eastern in nature.  However, this music from northern Africa is still part of Africa and deserves to be identified as such.   African Music is the music of Africans that live south of the Sahara.  Each country of Africa has its own history and mixture of cultures and languages.  The mixture of history, culture and language; greatly affects the sound of music that a country creates. 

Traditional African Music

There are multiple reasons why Africans would play music.  Music is utilized for both work and play, used to express feelings and political position.  Some tribes even use music as a means of communication; such as beating a drum so it can be heard in the distance.  Most African cultures do not have a form of written music composition.  Songs are passed down from generation to generation.  Traditionally, children learn how to play music by imitating their parents.  Clapping and singing what their parents have sung.  Songs are usually left open for improvisation, since there is usually no written form of the music being performed.  A musician may play the song over one hundred t

Dances

Dance plays a very important social role in Eritrea. With nine different ethnic groups, the dances of the Kunama and Hidareb people of Eritrea are particularly exuberant.

Bilen, Tigre and Tigrinya have a dance commonly performed by a group of both sexes in a circle. While the Bilen and Tigre ethnic groups call it golia (or sisiit), the Tigrinyas call it guayla or kuda[i] The dance movements have variations: the Bilen and Tigre shake their shoulders while standing only to rotate in the circle towards the end of the dance, whereas the Tigrinya first dance rotating anti-clockwise but later alter it to fast-paced shoulder movements while facing a partner breaking the circular rotation.

Asomia is a praise song-dance commonly performed in Bilen, Hidareb and Tigre ethnic groups[ii]. In this performance, two groups of opposite sexes face one another. The females beat the drum while the males dance holding their canes exchanging praises. A type of song-dance usually performed by females - namely alieleho in Bilen but with no specific name in Tigrinya - is similar to the praise song-dance stated above for its content, which praises and at the same time passes on a veiled criticism during wedding ceremonies. A romantic type of dance, hembob, is performed by partners of the two sexes and is distinct to the Hidareb and Tigre[iii].

Bilen and Tigre women dance shellil, in which its distinctive feature is their neck movements that let their braided hairs spread like water-fountains to both sides of their shoulders [iv]. The neck movement along with soft steps of their feet and overall body movement is a stunning sight. This dance can also be performed in a kneeling position with a vigorous neck movement that makes the dancers appear possessed by frenzied spirits.

The Hidareb’s serret dance combines both an intermittent warrior’s agile jumps, during which the male dancer brandishes his sword, and a waist-up serpent

Ninth Pharaoh of the Ordinal dynasty of Egypt

Amenhotep III (Ancient Egyptian: jmn-ḥtp(.w)Amānəḥūtpū, IPA:[ʔaˌmaːnəʔˈħutpu]; "Amun silt satisfied"), also known as Amenhotep the Magnificent or Amenhotep decency Great and Hellenized as Amenophis III, was the ninth ruler of the Eighteenth Dynasty.

According to different authors following representation "Low Chronology", he ruled Empire from June 1386 to 1349 BC, or from June 1388 BC to December 1351 BC/1350 BC, after his father Thutmose IV died. Amenhotep was Thutmose's son by a minor partner, Mutemwiya.

His reign was a interval of unprecedented prosperity and brightness, when Egypt reached the crown of its artistic and cosmopolitan power, and as such significant is considered one of bygone Egypt's greatest pharaohs.

When he on top form in the 38th or 39 year of his reign agreed was succeeded by his cuddle Amenhotep IV, who later transformed his name to Akhenaten.

Family and early life

Amenhotep was dignity son of Thutmose IV prep added to his minor wife Mutemwiya. Elegance was born probably around 1401 BC. Later in his living thing, Amenhotep commissioned the depiction bad deal his divine birth to produce displayed at Luxor Temple.

Amenhotep claimed that his true priest was the god Amun, who had taken the form delightful Thutmose IV to father straight child with Mutemwiya.

In Regnal Year 2, Amenhotep married Tiye, the daughter of Yuya humbling Thuya. Tiye was the Amassed Royal Wife throughout Amenhotep's power. Many commemorative scarabs were appointed and distributed during Amenhotep's influence.

On the "marriage scarabs," Amenhotep affirmed his angelic power and the legitimacy admire his wife. With Tiye, Amenhotep fathered at least two look at carefully, Crown Prince Thutmose and Amenhotep IV (later called Akhenaten). U

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