Rajeev malhotra biography of barack

     Welcome back to Defender’s Voice. This is Dr.Paul. Thank you very much for joining us today. Defender’s Voice is about defending Christian faith against all sorts of attacks in our culture. If there is some topic you would like me to address, you can send your questions to info@doctorpaul.org. Please visit us at www.doctorpaul.org to subscribe to our podcast. 

       In today’s episode, I would like to address Esther Dhanraj’s arguments against Ravi Zacharias and Christianity. Two of you asked me two questions. I clubbed them into one episode. I never heard about Esther Dhanraj before you sent me these questions. So, I thank you for introducing me to new individuals and their ideas. 

      Esther Dhanraj was a Brahmin Christian woman from India. She was a Christian. She studied the Bible. While in Seminary, she started to develop serious questions about Christian faith. She left Chritianity and now became an atheist promoting skepticism. She describes Christianity as a political conspiracy. I gave the links below, please watch those videos to understand her background and her arguments. 

She made 6 arguments in these videos. 

Indians were not mentioned in the Bible, so the Bible must be false. 

She said she was troubled by the fact that Indians were not mentioned in the Bible. 

In the very first verse of the Bible, we are introduced to a God who created the whole universe. Throughout the Bible, God repeatedly says that He is the creator of the heavens and the earth. Jesus Christ, our Lord said, ‘For God so loved the world’. He does not have to elaborate on every group of the world. 

God loves Indians 

God loves Chinese 

God loves Europeans 

God loves Americans 

God loves Africans 

God loves the people of Papua New Guinea 

God loves people of Cayman Islands 

God loves people

The country is facing an information warfare offensive designed to weaken the very idea of India and splinter it along caste and creed faultlines. A large number of NGOs, media houses and human rights lawyers bankrolled by foreign intelligence agencies are apparently behind this well orchestrated campaign. A “Prague spring” is being unleashed in some Indian universities, which is being openly supported by vocal sections in our media. As Rajeev Malhotra writes in his book, Breaking India, a number of western think-tanks have been promoting the “Afro-Dalit” faultlines to splinter India. Maps of India with these faultlines are displayed prominently in their offices. These faultlines are being used to fuel Maoist violence and construct new narratives to splinter this country by using a new cocktail of caste and regional separatism in Jammu and Kashmir and elsewhere. The aim is to paint patriotism and nationalism as a lumpen trait. The leftist-Maoist plot to overthrow the state involves:  * Massive support to separatist movements, especially jihadi separatism in J&K and Northeast. * Manufacturing Afro-Dalit faultlines to splinter the country using caste faultlines and creating alliance structures of jihadi separartism and tribal angst in Maoist affected areas. * Destroying the pan-Indian identity by attacking patriotism and nationalism and going after symbols of national unity like the national flag and nationalist slogans like “Bharat Mata ki Jai”.

In March this year, these faultlines flowed into our campuses in a major way, first in Hyderabad, and then in Jawaharlal Nehru University (JNU) and in Kolkata’s Jadavpur University. The use of the Afro-Dalit narrative as a basis of separatism was highlighted by the deliberate deification of Mahishasur in Hyderabad and the veiled attack on the “Aryan Goddess Durga”, who is the demon slayer. A shrill, orchestrated debate has been unleashed all over the country b

IN A PHOTOGRAPH POSTED to Facebook in 2011, an American man named John Morgan stands on the banks of the Ganga in Varanasi, wearing a white dhoti. He smiles, and holds a small bag in his hand. The sun is setting over the river, into which, just moments earlier, he had scattered the ashes of his beloved cat. When the photo was taken, Morgan had been living in India for two years.

Several of his friends commented on the photo. “I didn’t know that you are inclined towards Sahajiya Vaishnavism. Traditional Gaudiya Vaishnavism sorts that path better,” one wrote.

“I’m interested in everything Vedic,” Morgan replied. “I’m not even certain that I’m really a Gaudiya Vaishnava, since I find the Sri Vaishnavas and even Advaita Vedanta fascinating.”

A few comments down, he responded to a friend’s speculation that he may be a Saivite, a worshipper of the Hindu god Shiva. “Mahaprasade govinde nama brahmani vaishnava…” Morgan wrote, invoking a prayer typically sung by the Hare Krishnas. “I chanted that as I read it,” his friend replied.

At first glance, Morgan may have seemed like any number of Western tourists, travelling in India and trying on different styles of spiritualism. But Morgan was not just another tourist. He is a co-founder, and until recently, was the editor-in-chief, of Arktos—the world’s largest and most influential publishing house for the “alt-right.”

The alt-right—a loose affiliation of white nationalists, white supremacists, neo-monarchists, masculinists, reactionaries, conspiracists, neo-paganists and social-media trolls—has come to define a new, extreme-right political discourse emboldened by Donald Trump’s victory in the 2016 US presidential election. Obsessed with white identity and perceived threats to it, the alt-right in the United States and Europe generally yearns for the coming of a golden age—though the nature of that golden age is internally disputed. For some, it is a 1950s America of strict gender roles and a racially

Indian singer and music producer (born 1986)

Pratik Bachan (born 7 February 1986), best known by his stage name B Praak (formerly Prakky B), is an Indian singer, music director, composer and music producer associated with the Punjabi and Hindi music industry. He started his career as a music producer, and later debuted as a singer with the song "Mann Bharrya". He has won many awards including a National Film Award and two Filmfare Awards.

He is a frequent collaborator with lyricist Jaani. He entered into Hindi cinema in 2019 with two songs as singer in the films Kesari and Good Newwz starring Akshay Kumar, and as a guest composer in the satire Bala.

Life and music career

Praak was born as Pratik Bachan in Chandigarh. His father, Varinder Bachan (–2021), was a Punjabi and Hindi music producer and composer of pop and folk music and Hindu bhajans, who also worked in Punjabi films such as Jatt Punjab Daa.

He started his career as music director with name of "Prakky B". He produced music for a few songs, but songs got no recognition. In 2012, he met lyricist Jaani and started collaborating with him under the name 'B Praak'. In 2013, they released their first song "Soch" sung by Harrdy Sandhu and composed by him. The song became a chartbuster and is considered the best Punjabi song of year 2013.

In later years, he composed and produced music for numerous of tracks of singers like Jassie Gill, Harrdy Sandhu, Amrinder Gill, Gippy Grewal, Diljit Dosanjh, Ammy Virk etc. with lyrics by Jaani. He composed tracks such as "Taara", "Joker", "Na Ji Na", "Ik Saal", "Do You Know", "Supna", "Backbone", "Horn Blow" and many more.

He later debuted as singer in 2018 with the single Mann Bharrya. He also sang more songs such as "Bewafaai", "Mastaani" a